About the Artist Milar Talore: Life in Art

I was born in Kazakhstan in 1977. There were no professional artists in my family, but the roots of creative craftsmanship trace back several generations to my great-great-grandfather. This is important to me because I believe in heredity, in the genetic code, and in predisposition.

At the same time, I believe in our independent choice of path—one I did not choose in favor of art at a moment in my life when that decision presented itself at age 17. In the 30 years that followed, I never stopped thinking about drawing. Visual imagery and original illustration always stirred deep emotions in me—a kind of longing for a lost or unfulfilled ability and a profound desire to bring it to life.

Now, after 30 years of silence, I bring my ideas to life. I am turning my potential into creative output, revealing myself in the realm of real, original visual art.

Art conception

My artistic concept consists of depicting the essence of beauty in the female image through various styles and techniques.My primary theme is “Feminine Beauty in Contemporary Art.” My goal is to interpret and rethink traditional notions of feminine beauty. I bring my own vision to the depiction of the female image – preserving what was created by God and nature, not distorting it, but expressing the very essence of individual perception and the concept of beauty. My task is to explore the multidimensional nature of perceiving and expressing the female image across different historical eras. I study beauty through the female embodiment.

The exploration

The exploration of feminine beauty has been a central theme in art for centuries. Artists of various periods have strived to capture ideals of womanhood that evolved alongside cultural, social, and historical transformations. Recent exhibitions and literature have shown the persistent public interest in reexamining these ideals, reflecting their complexity and diversity in cultural contexts. I delve into the private spaces of women from past eras, uncovering the secrets of their self-care, aesthetic choices, and the cultural markers of beauty. I am fascinated by traditional representations of feminine attractiveness across different cultures and their reflection in folk art. I often draw folkloric depictions of women—dressed in national costumes, engaging in handcrafts.

My interest lies in studying how ideas of female beauty have changed from antiquity to the present, echoing cultural and social shifts. We are now witnessing major changes in how the female body is represented in contemporary art—from object to subject, from passive beauty to expressive individuality and autonomy. There is a shift toward expressing female sexuality, self-determination, and the diversity of identity. Feminist perspectives in art highlight gender inequality and amplify women’s voices. Today, the recognition and promotion of women artists is a global topic—we still lack a female artistic icon who is as widely celebrated or commercially successful as many male painters throughout history. Through my work, I also examine the dismantling of traditional gender roles, the stereotypes surrounding femininity, and how these cultural constructs shape society at large.

The significance of the artwork

Contemporary art actively engages with socially significant themes surrounding femininity, beauty, and the image of women in fashion and media. These themes are presented in galleries, magazines, summits, and exhibitions, raising critical questions about gender, identity, and the evolving role of women in modern culture. These artistic explorations investigate how representations of women have transformed through the ages, shaping and mirroring changing perceptions of beauty and gender. Whether clothed or nude, what is depicted in a painting is not just form, but essence and meaning. Fashion, too, becomes a tool for shaping ideals of femininity, while women influence fashion trends in return—reclaiming control over their image.

My mission is to reveal a new perspective on the role of women in a historical context, depicting beauty in a fiscal implementation.

Creativity in Adulthood

I also speak to the topic of self-realization in adulthood. My personal story is a living example of the fact that creativity has no statute of limitations. It’s never too late to return to your true calling, to awaken what once seemed forgotten.  Adult self-realization is not just a second chance—it’s often a deeper, more conscious journey. When we return to art as adults, we bring with us lived experience, maturity, and emotional depth. These qualities enrich our artistic expression and infuse it with authenticity. In my case, starting over as an artist in my 40s has given me a powerful sense of purpose, clarity, and inner liberation.

This later-in-life return to creativity is becoming more common, and I believe it reflects a broader cultural shift: we are beginning to value the lifelong nature of personal development. There is no “too late” when it comes to becoming who you truly are. The adult artist brings something precious into the cultural conversation—a voice forged by time, perspective, and resilience. My creative path is also a message to others: it’s never too late to be who you might have been.

With warmth, vision, and the joy of creation,
Milar Talore
Visual Artist & Creative Skills Speaker